22 March 2003/Transcript
This is a transcription of the 22 March 2003 episode, from Xfm Series 2
Bruce Willis on the Telly
Ricky: Bob Dylan. “The Times They Are a-Changin’” on X--
Steve: The thing is, Rick. Thing is, Rick, it makes me wonder if, uh, the times- are they changing? I mean, it seems to me that life’s pretty much the same as it was way back in the sixties when Bob Dylan wrote that song.
Ricky: Got any idea what you’re talking about?
Steve: No idea whatsoever, Rick.
Ricky: You don’t really know about politics, do ya?
Steve: Nope, know anything about it. Don’t even read the papers, got no-no interest, really.
Ricky: Yeah.
Steve: Not particularly informed, my life’s cushty. Uh, won some awards and stuff, didn’t bother me. So, um--
Ricky: On a serious note, though, it is a bit worrying.
Steve: What?
Ricky: Do I have to get gas masks or summat?
Steve: No, because there are guys out there in Leicester Square today wearing novelty hats.
Ricky chuckles
Steve: If they don’t sort this war out--
Ricky: Oh worries.
Steve: Then no one can.
Ricky: Okay. Well, I’m not gonna talk about it anymore.
Karl: You see, you see, you-you would worry about it.
Ricky: I would worry about it?
Karl: Well, you. Maybe Steve.
Ricky: Why?
Karl: Sort of people who-who are successful are worrying about it more than other people. Just cause--
Ricky: Go on.
Karl: Well, they’ve got more to lose, haven’t they?
Ricky laughs
Steve: Right.
Karl: No, d’you know what I mean? You see, like, Bruce Willis on the telly saying, “Oh.”
Ricky laughs
Karl: “It’s not good, is it?” And it’s because he’s got a big house and loads of cars. If you live, you know, on a council estate it’s like, “Well… if it gets bombed, probably doing us all a favour. We’ll get nice, new blocks of flats to live in an’ that.” It happened with Manchester! With the, with the bomb that happened and they bombed the Arndale Centre. Did us a favour. Got a nice, new Marks & Spencers an’ that.
Ricky: So this- hold on. This puts a whole new twist on the argument when people say bombing the world’s poorest countries is wrong. Cause I remember when the Afghan problem was on, people were saying, “Bombing the world’s poorest country’s wrong,” but-but it’s like home improvement, according to you then.
Steve: Yeah. Cause they’ve got a brand new B & Q, have they, over now?
Ricky and Steve laugh
Steve: They’re popping down there every Sunday.
Karl: Anyway. Let’s not go on about it, cause--
Steve: Yeah.
Ricky: Well, think what you’re saying.
Karl: Yeah, I know.
Steve: “My family was killed, but look! A Carpet Warehouse!”
Ricky: Yeah.
Karl: D’you know, I-I-I think, you know, people don’t want to hear about this today from us. They want to hear, you know, the new features, the "Songs of Phrase."
Ricky and Steve laugh
Steve: Woah. What’s "Songs of Phrase?"
Karl: It’s the feature we started last week--
Ricky: Yeah.
Steve: Right.
Karl: Where we, where we take clips of songs, we make up a phrase from the show.
Ricky: I mean, a famous phrase. Last-last week’s world famous phrase was “There’s this hairy Chinese kid.”
Steve: Yeah.
Ricky: You’ll remember.
Steve: Yes.
Karl: Well, it was, it was called "Crosswords" last week, but Phil e-mailed in a good suggestion.
Steve: Right.
Karl: Said, “Call it 'Songs of Phrase.'”
Steve: Brilliant.
Ricky: "Songs of Phrase." "Songs of Phrase." Per-perfect.
Karl: So we’ll lose that.
Ricky: Have we got- are we still going with “Cheap as Chimps?”
Karl: Uh--
Steve: We’re persevering with that, are we?
Karl: Got-got some "Cheap as Chimps" lined up.
Ricky: Yeah.
Karl: We’ll be doing that before three o’clock.
Ricky: Yeah.
Steve: Great!
Karl: Again, who else can say that?
Steve chuckles
Steve: So, good. So for the next two hours everyone should just bury their head in the sand, ignore the world’s problems and, uh, enjoy Ch- features such as "Cheap as Chimps"--
Ricky laughs
Steve: And--
Ricky and Steve: "Songs of Phrase."
Karl: And a bit of Turin Brakes.
Steve: Aw, class.
Ricky: Oh!
Song: Turin Brakes- Pain Killer
So We're Not Doing It?
Ricky: Trying to stop suddenly in Italy. T.B. Turin Brakes. It’s like a “Rockbuster,” Karl.
Karl: They were the good ol’ days.
Ricky: I know. Yeah. “Pain Killer” on XFM 104.9. But look; “Rockbusters” is gone. Forget “Rockbusters.” Long live “Songs of Phrase.” Over to you Karl.
Karl: Alright, well--
Steve: You know “Rockbusters” was one of the things they were protesting about next- last time.
Ricky chuckles
Steve: That-that was one of- I just had to listen to them. They just kept stopping me in the street as I was trying to get to the tube. “You’ve got to stop ‘Rockbusters.’ It’s run out of steam,” they said and I’m glad.
Ricky: Yeah.
Steve: That’s why they always do it on a Saturday.
Ricky: Yeah! Yeah.
Karl: They make their way to Leicester Square for three o’ clock.
Steve chuckles
Ricky: Yeah. Right.
Karl: Uh, “Songs of Phrase.” Uh, what it is--
Steve: “Songs of Phrase!”
Karl: We take a phrase from the show. Last week it was, “There’s this hairy Chinese kid.” Alright?
Ricky: Yeah.
Karl: Today we’re going back to the good old line of, uh, that you never see an old man eating a Twix.
Steve: Sure.
Karl: Alright?
Ricky: How long is that?
Karl: No. “You’ll never see an old man eating a Twix.”
Ricky: You’ll. Never. See. An. Old. Man. Eating. A. Twix.
Karl: It’s not as many as you think, though. It’s not that many.
Ricky: Well, how-how is it not that many!?
Karl: Well, first of all, anyway, don’t worry about that. I think there’s about five, I think. Hang on a minute.
Ricky: (sighing) Oh, God. Why do we leave him alone to do this, Steve?
Steve: I don’t understand.
Ricky: Do you know what I mean? He alway- it’s like- I tell you what, we were flying then--
Karl: There’s six, six different songs.
Ricky: Six different songs!
Steve: That’s a lot to get, Karl.
Karl: But what happened is, I couldn’t find a song with “Twix,” so we’ve changed the chocolate.
Ricky: Oh, this is rubbish!
Steve laughs
Ricky: We’re not doing it. We’re not doing it. No, I mean, you’ve got to be punished. We’re not doing this. Do a--
Karl: No, you’ll like it!
Ricky: No, no, no. No, shut up, Karl. No. I-
Steve: Well--
Ricky: No, no, no, no! We’re not doing it.
Steve: He’s put a lot of effort in.
Ricky: So what?
Steve: You’re right.
Ricky: He’s got to do it right. He’s got to do it right. There’s too many, we’ve said too many. It’s not- he’s changed the thing. It’s not a one-off phrase. It’s ridiculous! It’s pointless.
Steve: Rick, if only his parents had spoken like that to him sometime in the past--
Ricky: Do you know what I mean?
Steve: We wouldn’t be in this discussion now.
Ricky: Right, you’re not doing it.
Karl: Aw, come on.
Ricky: No! We’re not doing it. Steve, what have you- uh, what’d you think?
Steve: I’ll tell you, we’ve got the prizes--
Ricky: Yeah!
Steve: But I’m not even going to bother giving- I’m not even going to bother. I-I think we’ll just share them out amongst, um--
Ricky: Right, um--
Steve: Homeless.
Ricky: Absolutely. N-no. There’s-there’s troubles in the world and I’m not going to let you faff around doing nonsense like that.
Karl: No, but--
Ricky: It’s ridiculous!
Karl: Let’s-let’s do it for this week.
Ricky: No, let’s play a beautiful song. What do you think, uh--
Steve: I’d love to hear a great song.
Ricky: Yeah, “The Times They Are a-Changin.‘” We’ve said that. Um, “Look--
Steve: Rick, I know you’re--
Ricky: “at mother nature on the run. Look at mother nature on the run,” Steve!
Steve: Yeah.
Ricky: Play it.
Karl: So we’re not doing--
Ricky: No!
Steve: It’s your own fault.
Song: After the Gold Rush- Neil Young
Mars Bah Bah Bah
Ricky: Neil Young.
Steve: Beautiful.
Ricky: “After the Gold Rush.” One of the most beautiful, poignant songs ever, I think.
Steve: Great lyrics and that. “Look at mother nature on the run in the nineteen seventies.” I- forget the nineteen seventies, Rick. I’m beginning to wonder if, uh, that’s just as truthful nowadays in, uh--
Ricky: Right--
Steve: In the year two thousand and three.
Ricky: I’ve told you before; you’ve got no idea. You don’t know anything about the world or politics so I don’t know why you persist.
Steve: I don’t know why I keep saying it, meself, Rick. I’m a political incompetent. I don’t know why I keep spouting on with this drivel.
Ricky: Right, it’s--
Steve: It’s “The Guardian,” I think, that’s doing it to me.
Ricky and Steve quietly laugh
Steve: It’s all second-hand information. I just read it in there and I--
Ricky: So it’s a good idea to keep--
Steve: Exactly.
Ricky and Steve talk over each other
Ricky: You don’t really care, do you, about anything in the world, really, as long as it doesn’t affect you?
Steve: No, I’m got- I haven’t- exactly!
Ricky: Yeah.
Steve: Unless I’m personally affected by these things, I don’t care less!
Ricky: Well, I’m the same. Now, Karl. The big question, as we know, at the moment, is whether we’re going to let you do “Songs of Phrase” or not.
Steve: Rick, I should tell you now there has been a flood of- oh, no there hasn’t.
Ricky laughs
Steve: Sorry, I was, I was thinking there had been a flood of e-mails, but it was people agreeing with you, Rick.
Ricky: I know, I know Tony Blair has been trying to get through.
Steve: (laughing) Yeah, exactly.
Steve: Um, I’m just checking the e-mails now. There’s-there’s absolutely nothing supporting you, Karl.
Ricky: So, no one gives a sod either way about that.
Steve: No, well that’s not fair. There were a couple of phone calls, weren’t there? One was a guy saying you should. I think the other one was you, Karl, was it? Phoning from the kitchen?
Ricky and Steve chuckle
Karl: Can we do it? Can we do it, right?
Ricky: Uh, no!
Karl: If you don’t like it, we won’t do it next week, but--
Ricky: But-but--
Karl: I’ve made it.
Ricky: I don’t know what- I don’t know why you did that. I- we had thought of lots of stuff for you could do. You chose one where you have to have ten words and six songs to choose. You haven’t got “Twix.” I don’t know what you’ve substituted “Twix” for.
Steve: Okay, I ne- I-I’ve got to say now, I’m gonna sit on the fence here. I’m quite intrigued.
Ricky: Okay, right. Wha-what--
Steve: To hear it.
Ricky: What have you substituted “Twix” for?
Karl: Well, you- I can’t tell ya!
Steve: We’ll hear.
Ricky: Course you can!
Karl: No, I can’t because people have to listen to it and work out--
Steve: Alright, let’s just hear it.
Ricky: No!
Steve: Let’s hear it--
Ricky: No, no, no, no, no. They ha- they know what- they have to know what the word is. They have to tell what the song is or the, or the artist.
Karl: I prefer just to play it.
Ricky: No! You’ve got to tell ‘em what it is cause they might not even know what word they’re looking for!
Steve: I think we should just- let’s just- let’s hear him out, Rick. Please. Democracy! That’s what we’re fighting for!
Ricky giggles
Steve: Come on!
Karl: Right, you turn them up.
Ricky: Right. Okay, I’ve got me headphones on. Go on then!
Karl: Alright.
Steve: Okay, so, right. Hang on. The phrase, originally, was--
Karl: Is, uh, “You never see an old man eating a Twix.”
Steve: Right and we’re trying to identify the- well, a number of songs, which you’ve used to make up that phrase.
Karl: And you e-mail in, XFM.co.uk/Ricky, with as many as you can get and whoever gets the most right--
Ricky: It’s so complicated.
Steve: It is complicated.
Karl: It’s not!
Ricky: So complicated.
Karl: Alright, here we go. Here we go.
Steve: I’m baffled by the e-mail address! I couldn’t figure that out.
Ricky: What’s the e-mail address again?
Karl: XFM.co.uk/Ricky.
Steve: Right.
Ricky: Alright?
Steve: And there’s some link on there, is there, that--
Karl: Yeah, that you just press and it comes through.
Steve: Brilliant.
Karl: Alright, here we go and then, right?
And you neee-ver. See. An old man. Eat a. Maaaaaaaars. Bar bar bar.
Ricky laughs
Steve: What? I missed a little bit at the end.
Ricky continues to laugh
Steve: Let’s here it again, let’s here it again.
Ricky: “Mars bah bah bah.”
Steve: Let’s hear it again.
Ricky: Oh!
And you neee-ver. See. An old man. Eat a. Maaaaaaaars. Bar bar bar.
Ricky and Steve laugh
Ricky: Oh, God! Okay. Say the prizes, Steve.
Steve: Right, so how many songs were there? Do we know?
Karl: Uh, I think it was six.
Ricky: Ohh.
Steve: You think there was six?
Ricky: (singing) “And you’ll never. See. An old man. Eat-” Oh. F-oh, it might be five.
Steve: Five or six.
Ricky: Yeah.
Steve: Anyway! Why not e-mail in the answers and how many there were and, uh, you might be in with a chance of winning on DVD the original series of “Citizen Smith” with Robert Lindsay. That was good. Uh, Paul Whitehouse’s, uh, “Happiness.” The first series of that on DVD. We’ve also got couple of CDs here. “The Best of Britpop: Live.” “Live Forever,” Oasis, Blur, Radiohead and all the rest of them on there.
Ricky: That’s alright.
Steve: Supergrass’s, uh, current album as well.
Ricky: That’s alright.
Steve: I think it’s their current album. Yeah, it is. And, um--
Ricky: Okay.
Steve: Less convinced by this one. If I tell you that some of the artists include Del Amitri--
Ricky giggles
Steve: And, uh, Deacon Blue then I know you’ll be rushing out later, Rick, to buy this. “Scotland Rocks!”
Ricky laughs
Steve: A compilation of--
Ricky: Is Wet Wet Wet on there?
Steve: Uh, let’s see--
Ricky: What about Bis? What happened to Bis?
Steve: Let me see. I’m not going- I’ll tell ya, it doesn’t- I mean, we’ve got Gun on there.
Ricky: Oh, yeah.
Steve: We’ve got--
Ricky: (singing) “Oh, baby lately.”
Steve: Uh, Aztec Camera.
Ricky: Yeah.
Steve: Big Country, obviously.
Ricky: Eh, Proclaimer’s not on there?
Steve: Uh, wait a minute, wait a minute, where’s Runrig? There they are. There they are and, uh, obviously Rafferty, “Baker Street.” (singing) Do do do, doodle loodle doo.
Ricky: Brilliant.
Steve: So that’s-that’s definitely worth, um, entering for, surely.
Karl: So, XFM.co.uk/Ricky. It- play it one more time.
Ricky: Yeah.
Karl: Just-just- alright.
And you neee-ver. See. An old man. Eat a. Maaaaaaaars. Bar bar bar.
Ricky giggles
Steve: Class. Pure class. Well done.
Ricky and Steve laugh
Steve: Okay?
Ricky: Yeah. Okay, play a record.
Song: Athlete- El Salvador
Freaks
Ricky: Oasis, “Stop Crying Your Heart Out” on XFM 104.9. I’m Ricky Gervais. With me, Stephen Merchant and Karl Pilkington. Karl’s, uh, competition is in full swing now. I just want to remind you when playing “Songs of Phrase” and trying to guess the, uh, the songs and artists- what do you want, songs or artists?
Karl: I think songs.
Ricky: Yeah.
Steve: Alright.
Ricky: But tha-that’s ambiguous, isn’t it, what a song title is, where--
Steve: Yeah, I think it should be the artists, definitely.
Ricky: Maybe the artist that cleans it up really- yeah?
Steve: Yeah. Artists.
Ricky: Should we do artists?
Steve: Artists.
Ricky: Okay, you know- if they know what it is cause tha-that’ll stop any ambiguity, won’t it? Um, and, uh, don’t worry if you haven’t got all of them because the winner last week didn’t have all of them, but it’s the-the closest one. I understand when you’re trying to guess what’s in Karl’s mind, you can only get so close.
Steve: Yeah.
Ricky: Do you know what I mean? He’s-he wants us to bring in Derren Brown. He go, “Cause he won’t be able to read me mind.”
Steve: Yeah.
Ricky: And I think he’s right.
Steve: I think he might be.
Ricky: I think he’s the one person that could outwit Derren Brown.
Steve: Mm. Yeah.
Ricky: Um, now, uh, moving on, Karl. If we have to.
Steve: Well, should we just play it very quickly, uh, just play again--
Ricky: Go on, then. One more time. Here it is, “Songs of Phrase.”
And you neee-ver. See. An old man. Eat a. Maaaaaaaars. Bar bar bar.
Ricky: Cause-cause- because you have to get, you know- it is very difficult, so, you know, song or artist. We-we’ll give points if you’re, if you’re close to any of those and, uh, we’ll choose a winner, so, uh, you know, do--
Steve: And what do points mean? Crap prizes!
Ricky: XFM.co.--
Karl: XFM.co.uk--
Ricky and Karl: Slash Ricky.
Ricky: Right. Now. We’ve got people to send in, uh, a little thing of you last week, didn’t we? The film “Freaks.”
Steve: You got a treat.
Ricky: You got a few, you got a few sent in. You watched it, did ya?
Karl: Yeah.
Steve: Now I should just point out that the film “Freaks,” uh, for those that don’t know was a movie that was released in, I think, the- well, actually, it was del- it was originally made in about 1932, something like that, and then it was--
Ricky: Banned for about fifty years!
Steve: For many- for many, many years because it did, in actual fact, feature, for want of a better phrase, real life freaks.
Ricky: Yeah.
Steve: Um, bearded ladies being one of the more, kind of, familiar ones.
Ricky: Guy with no arms and legs.
Steve: There’s all sorts and, uh, it was actually quite a- it’s quite a tender film, isn’t it, and actually portrays them as a kind of dysfunctional family. It’s not, it’s not exploitative in that sense, but, uh, what do you make of it, Karl?
Ricky: Well, you were watching it for the freaks, weren’t ya?
Steve: Ha!
Karl: Yeah. I mean, I wish- it does take a while to get on to it. Where-
Steve: What do you mean?
Karl: Well, straight-away I was disappointed, right? Cause at the start, like, you put it in. It’s like, “Oh, brilliant. Here we go.” You know, I said to Suzanne, “We’ll watch this. We’ll have a good night.”
Steve: Yeah. Have a romantic night.
Ricky: (laughing) Was it her birthday?
Steve: Yeah.
Ricky: “You’ve got your gloves, now we’re going to watch some freaks.”
Karl: So, uh, put it on and it starts off and it’s like, you know, “The following film.” You think, “Ooh.” Like, “The following film is rated fifteen,” which means, you know, might contain scenes of violence, bad language and sex.
Steve: Yeah.
Karl: Mentioned nothing about pinheads!
Steve: Right.
Ricky laughs
Karl: So I thought they missed a trick there.
Steve: Yeah.
Ricky continues to laugh
Karl: Alright? So I thought, “Well, let’s-let‘s--”
Ricky: Ohh.
Karl: “Let’s go ahead and watch--”
Steve: And what exactly is a pinhead?
Karl: Ohh. If you’ve seen it, you’d know.
Steve: Okay.
Karl: Right? So, uh, not the best thing in it, either. So imagine that.
Steve: Okay, so you’re watching it…
Karl: So, sat there. I think, “Alright.” Then something comes on and-and the little fellas on there, the little fella we were talking about, The Pillow Man--
Steve: Right.
Ricky: Is he the best thing in it?
Steve: Now what’s The Pillow Man, again?
Karl: He’s a fella who, years ago, uh- he’s got no arms and legs.
Steve: Right. He’s just a torso.
Karl: Just rolls- yeah. And, uh, there’s a scene where you see him, sort of, rolling a cigarette up just using his mouth--
Steve: Yeah.
Karl: And it’s like he likes it an’ stuff. That-that’s weird. And then, uh, what else is on it?
Ricky: Smoking stunts your growth.
Karl: And then there’s a, there’s a little-little fella on it who- he’s fed up because he looks five, but he’s actually thirty-four.
Steve: (chuckling) Right.
Karl: Right? But there’s a woman--
Ricky and Steve chuckle
Karl: Who is forty-two and looked eight. So they both have the opposite thing, they were both really fed up and I kind of thought that shows that, you know, you always want what someone else has got.
Steve: Sure.
Karl: Do y’know what I mean?
Steve: Yeah, yeah.
Karl: So, in a way, there’s a story there--
Steve: Yeah.
Karl: In that.
Ricky: No, you- they- you just described the same, there.
Karl: No, no, no. No, it was like--
Ricky: No, they both- you-you’ve just said they-they both looked young, but they were actually both older.
Karl: No, no, no. This was like a little man--
Ricky: Yeah. Who was thirty-five.
Karl: Who was thir-thirty-five.
Ricky: And looked eight.
Karl: Yeah.
Ricky: And so did she.
Karl: No, well the other way around, then.
Ricky: What? So she was an eight-year old that looked thirty-five?
Karl: Yeah. Oh, maybe not, then.
Steve: Anyway!
Ricky: No!
Karl: But that-that wasn’t that weird. I kind of thought it's a slow start an' that.
Ricky: Yeah.
Karl: And then, uh--
Ricky: It’s not, it’s not a difficult film to follow.
Steve: No.
Karl: Yeah, but I wasn’t really listening to what it’s all about. I was just looking at what they had and they had, like, a fella who’s running about just--
Ricky: He act like he was shopping!
Steve quietly chuckles
Karl: You know. Uh, they had a fella with no legs and he’s running about on his hands.
Ricky: Right.
Karl: And sort of got about on a skateboard. Talking to someone about it. They said that’s how “E.T.” was done. There’s actually a-a little fella in “E.T.--”
Steve: Right.
Karl: Who’s just half of, um, sort of half a body.
Ricky: Is that true?
Steve: I have no idea. I’ve never heard that before.
Ricky: Why haven’t we heard that before?
Steve: I’ve never heard that before.
Ricky: I don’t think he would fit in E.T. Cause he’s got- cause where’s the head? He’s got no neck, E.T. It’s a skinny little thing. A human neck couldn’t fit in that skinny little neck.
Karl: Well.
Ricky: Well!
Steve: Are you sure it wasn’t Kenny Baker up to his old tricks?
Ricky: What are you talking about, Karl? There’s a fella with no legs in “E.T.?”
Karl: In “E.T.,” they had two-two fellas, right? I think they had a little, um, a midget fella.
Steve: Right.
Karl: Who did it and then I think he was off sick and they were like, “Ooh.” You know, “What else are we gonna, just--”
Ricky: You make- the-the- I--
Steve: So-so a guy’s on a skateboard going by…
Karl: And said, “Do you fancy some work?”
Steve: (chuckling) Right.
Karl: And he’s done it. I think- someone told me. I mean, it might be wrong.
Ricky: Exactly!
Karl: Might be wrong.
Ricky: He might be, mightn’t be! I mean, you’ve never been wrong before so I don’t know why you’d be wrong there. So what’s the worst thing in it?
Steve: Now, it’s intriguing to me because here’s a film called “Freaks” featuring real-life freaks and you’re sort of a bit nonplussed by it.
Karl: Just cause it wasn’t- because it’s built up- if you call a video “Freaks,” you’ve got to make sure that there’s some good stuff on there.
Steve: Yeah.
Ricky: What were you disappointed about? Was it that--
Karl: Because there was a few things on it, right? There was a woman who said she was half man, half woman and it’s like, you’re not, are ya? It was just like she had some makeup on. I thought, “Well, that’s rubbish.” And then there was a woman who could eat using her feet. That isn’t that freaky, d’you know what I mean? If she’s not hungry, she looks normal.
Steve: Yeah.
Steve laughs
Karl: And that’s when I was thinking- I mean, I’m not being, not being- right, Steve. You know I’m not being funny.
Steve: Oh, here we go.
Karl: No, no, no, but I’m-I’m just saying…if that woman wasn’t eating and you were sat next to her--
Ricky quietly laughs
Karl: In that film.
Steve: Yeah.
Karl: I’d probably be, sort of, drawn to you more than her.
Ricky quietly laughs
Karl: I’m not…I-I know you hate me saying it, but there’s no point, sort of, pretending.
Ricky quietly laughs
Karl: Do you know what I mean?
Steve: Oi! Muttley! What you- what are you sniggering about?
Ricky: (laughing) The fact that he’s…what, you mean that there pe- ther are things in it that were less- what are you saying?
Karl: I’m just saying--
Steve: Play a record. Seriously, I’ll slap you. I’m going to slap you live on air.
Karl: Yeah, but you always get--
Steve: I’m going to- right, I’m slapping you live on air, I swear to God.
Karl: Alright, play a song, then.
Ricky: Just play a song.
Karl: I’ll play the song.
Steve: Keep the fader up!
Song: Bruce Springsteen- Atlantic City fades in as Steve as Karl argue
Slapping sound
Ricky: Oh! Oh ho ho!